Discography
→ Park Hangs (2025)
Introducing "Park Hangs", a few songs for the summertime, spanning a range of vibes—from dubbed-out, spacey jams to upbeat dance tracks. This collection was released to mark my 33rd birthday, serving as a musical snapshot of this chapter in life. I poured endless energy into these tracks over the past six months—tinkering to no end, experimenting with analog saturation, and at times getting entirely lost in wormholes. I’m relieved, proud, and happy to finally move on from this chapter.
 → Inversion (2025)
These songs were produced during January and February 2025, before the batch of songs that would become "Park Hangs". I experimented heavily with these, from live-feeling drums, to gigantic vocal reverbs, to wonky cassette tape loops. I even made my longest track to date, "Feedback" —an epic 8-minute journey where the primarily sonic principle is elements which feedback endlessly.
→ k518 (When Life Stood Still) (2024)
Throughout 2024, my Mom was diagnosed with a rare cancer, underwent major surgery, chemotherapy & radiation treatments, and came out on the other side having defied all odds. These were the songs I made chronologically during that period to document my feelings and at times, distract myself from reality.

"k518" was my Mom's hospital room number.
→ Westwards (2024)
After a year of traveling down in South America, I was overwhelmed by feeling like I was coming home, but refreshed and with a new perspective... headed west, onto new sonic pastures & creative horizons. 
"Westwards" features four tracks covering various genres, tempos, and sounds. There's a bit of everything: guitar songs for driving down backroads and upbeat numbers for summer-night hangs.
"Peace Talks" is dedicated to my best friend & life partner. There are snippets of a voice memo recording I secretly took when we were entertaining ourselves in a tent, on a stormy night, during an 8-day hike down in Huaraz, Peru in 2023 (she doesn’t know I recorded it and will most likely feel some embarrassment – but I promise it’s intended to be endearing).
→ In The Thick Of Revelation (2023)
This album was created during a chapter of life when my partner and I left our jobs and traveled throughout the American southwest and South America. Generally, each song was made while in a different state or country and was perhaps subconsciously inspired by the atmospheric sounds, vibe, and experiences in each destination. Voice memos from loved ones helped me feel connected to a distant life back home. Field recordings of bustling markets and noisy jungles provided for inspiring sonic textures.

Side A (tracks 1-6) were created during 2 months of living in Joshua Tree & Landers, CA. 

Side B (tracks 7-13) were created across 9 months in Central & South America:
‣ Dopamine (Medellin, Columbia)
‣ Hermano (Isla Isabela, Ecuador)
‣ Escuela De Español (San Pedro La Laguna, Guatemala)
‣ El Mercado (La Paz, Bolivia)
‣ Love At First Sight (El Chaltén, Argentina)
‣ Soulmates (Braunschweig, Germany)
‣ The Real Thing (Isla Isabela, Ecuador)
→ Good Souls Gravitate to Salida (2022)
I made this album throughout 2022 to commemorate the end of my 20s. At the time of release, I had been making music for 10 years, a journey which felt hard to believe. As I turned 30, I felt obnoxiously reflective and proud of the last decade of my life.
"Venice Bump" remains one of my favorite tracks I've produced, flipping the guitar riffs from the previous song into a jam that I'd love to listen while driving down just about any coastal highway.
→ Channel Surfing (2022)
A culmination of tracks creating throughout 2020-2022, documenting my journey of getting lost in new techniques, cassette tape side-quests, and new sonic frontiers. These tracks were originally released as singles, but in 2025, I chose to consolidate them to give them a singular home.
The tracks were originally released as:
‣ "Lovebirds on a Monday" & "Pacifico" – October 15, 2021
‣ "In the Room" & "Moonbounce" – October 16, 2020
‣ "Complicated" – April 2, 2022
‣ "Don't Trip" – October 1, 2021
‣ "A New Wave" & "If You Need It" – May 27, 2022
→ Lefthand Lofi (2020)
In 2020, a slip on the bike took my summer plans and dominant hand out of contention. Feeling defeated and needing something to do, I started tinkering with Ableton. After a STEEP learning curve, I set a goal to make a mixtape from the period; no real expectations, just curious about what would result. In the end, things felt a little looser and more raw– I didn’t clean and crisp things up. In hindsight, that lack of refinement ended up being the sound of the record, and I love it for exactly that. So here it is... the result after 6 weeks of letting the left hand take over.
→ Blur in Stereo (2020)
6 tracks with a diverse sonic palette, filled with all the happy accidents & effects experimentation I could cram in.
→ Fuzzy Logic (2019)
My earliest musical project under the Kidfue moniker. The creation of this feels long enough ago now that I don't remember anything memorable about the process, but these songs bring back a nostalgia for a confusing chapter of life, living in San Francisco and trying to find purpose after a year-long travel stint in Southeast Asia.
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